Great Fortunes Chapter 6: Jonas Chickering
On Tremont Street, in the City of Boston, near the Roxbury line, there stands an immense building of brick, said to be larger than any edifice in the United States, save the Capitol at Washington. It is built in the form of a hollow square, with a large court-yard in the center, and the building and court-yard together cover an area of five acres. It is five stories in height on the outer side, and six on the inner, the court-yard being one story lower than the street. The building is two hundred and sixty-two feet in length from east to west, and two hundred and forty-five from north to south, the shorter distance being the length on Tremont Street. The width of the building all around the court-yard is fifty feet. It contains nine hundred windows, with eleven thousand panes of glass, and when lighted up at night seems almost a solid mass of fire. From five to six hundred men are employed here in various capacities, and an immense steam engine of one hundred and twenty horse-power furnishes the motive power for the machinery. Altogether, it is one of the most prominent and interesting of all the sights of Boston, and the visitor is surprised to learn that it is due entirely to the energy and genius of one who, but thirty-four years previous to its erection, came to Boston a penniless stranger. The building is the famous piano-forte manufactory of Chickering & Sons, and its founder was Jonas Chickering, the subject of this sketch.
Jonas Chickering was born at New Ipswich, New Hampshire, on the 5th of April, 1798. His father was a blacksmith by trade, and employed his leisure time in cultivating a small farm of which he was the owner. He was esteemed by his neighbors as an upright, reliable man, and prudent and careful in his temporal affairs. The family being poor, young Jonas was required to do his share toward cultivating the farm, and received only such education as was afforded by the district schools in the vicinity. He was noted at an early age for his passionate love of music. When a mere child, he learned to play on the fife, and was such a proficient performer that he was called upon with the town drummer to furnish music for the militia musters, which were then the pride of the town. These were happy days for the lad, but his pleasure was marred by the ridicule which the contrast between his slender figure and the stalwart frame of the “six-foot drummer” caused the fun-loving towns-people to indulge in. Soon after this he learned to play on the clarionet, and when only seventeen or eighteen years old, was so advanced in his art that he could read at sight music of the most difficult character.
At the age of seventeen he was apprenticed to a cabinet-maker to learn his trade, and remained with him for three years, exerting himself to become thorough master of every detail of the business. Toward the close of his apprenticeship, an event occurred which changed the whole current of his life, and placed him in what proved to him the road to fame and fortune.
